FrequentĬalls for various favorites from the crowd (and, in one boorish fan’s case, simply “more Fleetwood Mac!”) didn’t deter themĪs they delivered excellent renditions of new tunes such as their co-write “Red Sun” and Buckingham’s “In My World” and “Sleeping To their credit, the duo pointedly focused much of the show on their new record, performing eight of its 10 tracks. Was a solid seller that produced two top-40 singles. We heard nothing from McVie’s three solo albums, even as her 1984 self-titled record “Tusk,” and the main-set closing smash “Go Your Own Way.”Ī terrific acoustic version of “Trouble,” Buckingham’s first solo hit in 1981, proved a great show-starter and was one of Were Buckingham’s: That early “Never Going Back Again” marvel, a full-throttle mid-set romp through the epic title track of
But the most well-received selections from the Mac catalog Records (highlighted by “Hold Me,” a top-5 hit from “Mirage”).
HOLD ME FLEETWOOD MAC GUITAR SOLO PLUS
They did play McVie’s “Rumours” standout “You Make Loving Fun,” plus two songs each from the “Mirage” and “Tango in the Night” Ways,” “Over My Head,” “Say You Love Me,” “Over and Over” and “Songbird,” just for starters.
Wrote in their Fleetwood Mac days, it was hard not to come away wishing for more of McVie’s best work with that band: “Warm But although they clearly madeĪ conscious effort to balance the set list between material from the new collaborative record and songs that each of them She rejoined Fleetwood Mac in 2014, so it makes sense for him to be in the bandleader role. Buckingham did a lot of solo tours during the years that McVie was on the sidelines, before Our 2015 interview with Lindsey Buckingham When they teamed up to make a duo album this year, it wasĪ welcome and intriguing development. In concert, though, this feels more like the Lindsey Buckingham show, with McVie in a significant but ultimately supporting Played the much-larger Erwin Center this past March - they’re both brilliant musicians in their own right. While neither Buckingham nor McVie hold the arena-level draw It was a magical moment, but one that underscored a somewhat unfortunate aspect of this unlikely partnership between two ofįleetwood Mac’s five musicians in the twilight of their careers.
HOLD ME FLEETWOOD MAC GUITAR SOLO FULL
Of full guitar strums as the enraptured crowd went from dead-quiet to a rousing ovation that brought many out of their seats. The song’s lyrics around the tune in dramatic fashion, bringing his voice down to a near-whisper before ending with a flourish Plucking the strings gently with careful deliberation, Buckingham wrapped McVie eventually joined in with subtle accordion-like keyboard accents, but mostly this was a showcase for her touring partner’sĬonsiderable talents as both a guitarist and singer. Mostly by Buckingham alone on acoustic guitar.Ī-List gallery from Buckingham McVie at Bass Concert Hall One of the most memorable songs from Fleetwood Mac’s generation-defining 1977 album “Rumours,” was spectacular, delivered Have guessed they’d turned the set list on its head and put an encore number near the beginning. I'll be waitin' for you If you ever wanna be there.Three songs into Lindsey Buckingham and Christine McVie’s performance at Bass Concert Hall on Wednesday evening, you might I'm just around the corner If you got a minute to spare
You hold the percentage But I'm the fool payin' the dues There's nobody in the future So baby let me hand you my love 12 -12 -12 -12 -14 -14 -14 -14 -14 -14 - Am G Am G DĬan you understand me Baby don't you hand me a lineĪlthough it doesn't matter You and me got plenty of time Measures of INTRO over the Am/G/Am/G progression. VERSE: Play a ringing variation of the first two
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